When most people think about music theory, they imagine the rigid rules of classical harmony; carefully resolved dissonances, proper voice leading, and the predictable journey from tonic to dominant and back again. But blues music operates by a different set of principles, creating its own theoretical framework that both embraces and rebels against traditional Western harmony.
The Question Every Blues Student Asks
"Do I use major or minor scales? What about pentatonic? Should I be thinking in Mixolydian or Dorian?" These are the questions that perplex musicians when they first encounter blues music. The answer isn't simple because blues theory itself isn't simple—it's a sophisticated hybrid system that draws from multiple theoretical traditions.